Medium: Acrylic sculpture

Year: 2020

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition. Embedded fluorescent pigments project colour through the edges. The piece is part of his bestselling series of easy-to-place circular works that punctuate any home with contemporary elegance.

Free shipping in Canada and the continental United States. $50 within Europe, Asia, and Australia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic sculpture

Year: 2020

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition. Embedded fluorescent pigments project colour through the edges. The piece is part of his bestselling series of easy-to-place circular works that punctuate any home with contemporary elegance.

Free shipping in Canada and the continental United States. $50 within Europe, Asia, and Australia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic paint in MDF panel, custom baltic birch frame

Size: 16” x 16” (irregular)

Year: 2021

This small acrylic painting on panel by Matt Neuman begins with a spray-painted gradient color blend. A series of machine cut vinyl stencils are used to mask out additional layers of gradient color and form. Crisp, clean, and efficient, the interplay of graphic forms and spatial atmosphere provide space to find stillness, and the calm that comes with order. This piece is meant to be a place to breathe, away from time, for as long as one can spare.

Free shipping in Canada and the continental United States. $60 within Europe and Asia.

Medium: Acrylic paint in MDF panel, custom baltic birch frame

Size: 16” x 16” (irregular)

Year: 2021

This small acrylic painting on panel by Matt Neuman begins with a spray-painted gradient color blend. A series of machine cut vinyl stencils are used to mask out additional layers of gradient color and form. Crisp, clean, and efficient, the interplay of graphic forms and spatial atmosphere provide space to find stillness, and the calm that comes with order. This piece is meant to be a place to breathe, away from time, for as long as one can spare.

Free shipping in Canada and the continental United States. $60 within Europe and Asia.

Medium: Acrylic paint in MDF panel, custom baltic birch frame

Size: 16” x 16” (irregular)

Year: 2021

This small acrylic painting on panel by Matt Neuman begins with a spray-painted gradient color blend. A series of machine cut vinyl stencils are used to mask out additional layers of gradient color and form. Crisp, clean, and efficient, the interplay of graphic forms and spatial atmosphere provide space to find stillness, and the calm that comes with order. This piece is meant to be a place to breathe, away from time, for as long as one can spare.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 20” diameter, 3” depth

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Free shipping in Canada and the continental United States. $100 within Europe and Asia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic sculpture, acrylic paint on surface

Size: 32 x 32 x 2.75 in

Year: 2018

Kal Mansur’s work combines the traditions of sculpture and painting. He uses solid acrylic elements with painted fields and objects to elicit a response between mystery and recognition. The built and painted sculpture is then covered with a translucent panel that visually alters the internal elements. Aspects of the work glow as soon as the piece receives light, be it in the form of natural or artificial light.

Medium: Acrylic on 300 lb cotton rag

Size: 15” x 15” (unframed)

Year: 2021

Description:

Steven Hasegawa is a Toronto-born Japanese artist. His work combines intricate pattern-work with familiar Japanese iconography.

Free shipping within North America. $60 within Europe and Asia.

Medium: Acrylic on panel

Year: 2019

This work is ready to hang.

In this painting, the background, executed in silver paint, shimmers and shifts with one's viewing angle. Kal Mansur uses directional strokes to create a sense of constant movement. In the foreground, an amorphous object appears to be in mid-flight. By sanding and effacing certain areas, Mansur exposes multiple layers of paint beneath the surface, serving as a counterpoint to the background's silvery sheen.

Free shipping within North America. $350 within Europe and Asia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic on panel

Year: 2019

This work is ready to hang.

In this painting, the background, executed in silver paint, shimmers and shifts with one's viewing angle. Kal Mansur uses directional strokes to create a sense of constant movement. In the foreground, an amorphous object appears to be in mid-flight. By sanding and effacing certain areas, Mansur exposes multiple layers of paint beneath the surface, serving as a counterpoint to the background's silvery sheen.

Medium: Acrylic sculpture

Year: 2021

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. Embedded fluorescent pigments project colour through the edges. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition.

Free shipping in North America. $100 within Europe, Asia, and Australia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic sculpture

Year: 2021

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. Embedded fluorescent pigments project colour through the edges. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition.

Free shipping in North America. $100 within Europe, Asia, and Australia.

This artwork ships worldwide, please inquire about international shipping.

Medium: Acrylic sculpture

Year: 2021

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. Embedded fluorescent pigments project colour through the edges. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition.

Medium: Acrylic sculpture

Year: 2021

Kal Mansur is best known for his luminous translucent sculptures made of painted plexiglass. Embedded fluorescent pigments project colour through the edges. This piece absorbs and reflects light, allowing the viewer to visually travel through the composition.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 20” diameter, 3” depth

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 20” diameter, 2.75” depth

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 14 x 11 x 2 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 14 x 11 x 3 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 14 x 11 x 2.75 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 8 x 6 x 2.5 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 8 x 6 x 2.5 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic, enamel on thermoplastic and panel

Year: 2021

Size: 8 x 6 x 2.5 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Ink, plastic, acrylic on panel

Year: 2020

Size: 8 x 6 x 4 inches

Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.

Medium: Acrylic paint in MDF panel, custom baltic birch frame

Size: 16” x 16” (irregular)

Year: 2021

This small acrylic painting on panel by Matt Neuman begins with a spray-painted gradient color blend. A series of machine cut vinyl stencils are used to mask out additional layers of gradient color and form. Crisp, clean, and efficient, the interplay of graphic forms and spatial atmosphere provide space to find stillness, and the calm that comes with order. This piece is meant to be a place to breathe, away from time, for as long as one can spare.